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Video Archiving - Restoration - Remastering - Duplication - Transfer - Vintage - Antique - Conversion
We use ProTools to transfer Alesis ADAT 8 Track digital Cassettes to individual wav files to enable you to import the 8 wav files into your own DAW. Naturally, you don't need ProTools to do the mix, only Multi-track editing software that accepts wav files (which all of them do !) Alternately if you do not have multi-track software and only a few tapes to transfer, or have no burning desire to make the software investment (or the hardware investment in a fast PC), then we can perform the mix down to stereo CD.
(Alesis Digital Audio Tape)Released in 1991, the first ADAT machine took the recording industry by storm. An 8 track high quality digital recorder with 16 bit depth and 48 kHz sampling - all in a compact footprint. The ADAT's use standard S-VHS cassettes that allow up to 60 minutes of better than CD quality recordings to be made. Initially, the first machines had an approximate $4,000 street price, but compared to their earlier 8 track open reel counterparts priced about the same for a studio grade machine at the time, the ADAT won the quality battle hands down. The current era of Multi-track digital recording had begun !
The original recorder was 16 bit/44.1 kHz sample rate for 8 track CD quality and later deemed Type I models.. Later models that came as technology advanced, deemed "Type II", supported 20 bit depth and 48 kHz sampling. Type II machines could record both 16 or 20 bit depths at either 44.1 or 48 kHz sample rates and play back either. However Type I machines could not play back 20 bit Type II recorded tapes.
Like it's soon to come Tascam competitor (The DA series), the ADAT's can be slaved & synchronized together and the amount of the channels you can add is limited for practical purposes by the number of machines you could afford. (Before ending up in divorce court anyways...)
One major advantage of the ADAT deck, is the 1/2" S-VHS tape format it uses. The much wider tape with it's wide track pitch is much less susceptible to edge damage than Tascam's 8mm format. The much lower data density per square mm owing to the larger tape footprint, results in increased reliability and longevity of the tape.
A standard S-VHS T-120 would allow 40 minutes of recording time... 8 tracks of audio to be recorded at once required a fair amount of bandwidth, thus the tape moved at 3 times the speed of a typical VHS video deck recording in the highest quality SP mode.
ST-60: 22 minutes
ST-120/SE-180: 40 minutes
ST-160/SE-240: 54 minutes
ST-180/SE-260: 62 minutes
Specs of the XT-20
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Transport: ADAT Rotary head digital recording Type I (16-bit) and Type II (20-bit) S-VHS cartridge |
Recording Format ADAT Rotary head digital recording Type I (16-bit) and Type II (20-bit) S-VHS cassette |
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Tape Format:
Heads: 4 (2 Read, 2 Write); Read before Write |
Approximate Recording
Times: ST-60: 22 minutes ST-120/SE-180: 40 minutes ST-160/SE-240: 54 minutes ST-180/SE-260: 62 minutes |
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Fast Wind Rate: 40 x play speed (Threaded) |
Number of Audio Channels:
Eight Discrete |
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Record (A/D):
over-sampling, single converter per chan. |
Playback (D/A):
over-sampling, single converter per chan. |
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Sample Rate:
44.1 /48kHz, Selectable |
Vari Speed Range: +100/-300 cents (48kHz), ±200 cents (44.1kHz) |
| Frequency Response: 20Hz– 20 kHz, ± 0.5dB | Dynamic Range: 102 dB, A weighted in 20-bit mode |
| Distortion: 009% THD+N @-1 dBFS in 20-bit mode | Channel Crosstalk: Better than -90 dB @ 1kHz |
| Wow and Flutter: Un-measurable |
Balanced:
One ELCO® connector (in/out) Unbalanced: Sixteen RCA jacks (8 input, 8 output) |
| Input Impedance: Balanced: 10k Unbalanced: 10k |
Last Modified
May 8, 2010

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